Crafting Sustainability
It’s obvious, if we want to pass on a world that’s worth living in, every small effort towards sustainability helps. In this post, I’m sharing a few examples of how to dye with nature rather than with toxic chemicals:
1 Using plum pits to dye fiber
2 Adding contrast with last year’s marigold-dyed yarn
3 Experimenting with Boston Ivy
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All these dye stuffs are leftovers from my immediate surroundings. For all of them, I use the same procedure:
1 The dye stuff is in a big enamel pot with water. It’s cooked for an hour, then cooled down for 8 - 48 hours. (I don’t think it needs to cool down for a long time, but I forgot about the pot.)
2 Remove the dye stuff with sieves.
3 Place fiber into the dye pot and reheat.
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Like last year Dyeing Natural Mauve Tones I came to the conclusion that I like the more violet tone of cotton with no pre-mordant best.
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What I learned this year is that using soy milk as a pre-mordant for linen makes a huge difference: Linen, soaked in soy-milk and then dried, accepted the dye stuff very well. Look at the deep tones.
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Last year with Tunisian Crotchet, I combined many types of fibers in a scarf (see blog post What IF? ) Now I’m adding the Japanese plum-dyed linen as contrast.
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My house is covered in Boston Ivy. We regularly need to trim it to now grow into the gutters and onto the roof where it would become a fire hazard. I started a dye pot in my usual fashion but the resulting liquids very pale. When I submerged the fiber and slowly reheated it, nothing really happened. So I added a couple of green ivy berries (which left marks on the fabric) and a few Dahlia leaves.
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In the photos, you see the original fiber and the dyed one. Conclusion: for me it’s not really worth the effort, although I did like the stronger contrast in the wool mixture. (Probably, it was cotton-wool, not silk-wool as the label says.)
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Thanks for sharing this journey!
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